Autumn 2015

Epigraph

Where The Mind Is Without Fear

Where the mind is without fear and the head is held high
Where knowledge is free
Where the world has not been broken up into fragments
By narrow domestic walls
Where words come out from the depth of truth
Where tireless striving stretches its arms towards perfection
Where the clear stream of reason has not lost its way
Into the dreary desert sand of dead habit
Where the mind is led forward by thee
Into ever-widening thought and action
Into that heaven of freedom, my Father, let my country awake.

Rabindranath Tagore


In Archie Fights Pike-Eye, Bill Frank Robinson serves up a lively, rough-edged tale of 1940s small-town grit, where justice is dished out in a crowded back-alley boxing match. Archie, armed with borrowed gloves, Grandma’s fiery coaching, and Lonnie’s no-nonsense refereeing, faces down Pike-Eye--the toughest, meanest kid on the West Side. Amid cheers, jeers, and the smell of frying bacon, Archie learns the sting of a good punch, the pain of a low blow, and the rush of holding his ground. It’s a fight for pride, place, and the kind of victory that echoes long after the crowd drifts home.

Art:
Rolling Pin by Cathy Giles -- In this intimate still life, Giles pairs a softly worn wooden rolling pin with a length of white gauze printed in vivid pink and muted grey. The textile’s sacred motifs and rhythmic stripes contrast with the humble tool, evoking themes of tradition, domestic ritual, and the artistry woven into everyday life

In It’s Like, Catherine Power Evans seizes the breathless moment when life pivots without warning. One instant, the narrator is lost in the pulsing lights of a night out; the next, she is rooted in the stark corridors of A&E, reeling from news of her father’s brain injury. Evans renders the sensory overload of shock--clattering footsteps, clinical light, the sting of bile--with an unflinching eye. As hours stretch into a vigil, raw fear gives way to a dawning sense of responsibility, marking the narrator's abrupt passage from youth’s illusions into the sobering weight of adulthood.

In Fallout, Katharine Crawford Robey whisks us to the remote Dry Tortugas, where Alicia--reeling from a broken engagement--steps into a world of turquoise seas, salt-warm breezes, and a dazzling “fallout" of jewel-colored migratory birds. Guided by a charismatic Aussie whose easy charm contrasts sharply with her rigid ex-fiancé, Alicia drifts between wonder and indecision. As the island hums with wings and whispered promises, she must choose whether to stay in this rare moment of beauty or flee back to the mainland before the birds--and perhaps her chance--are gone.

ART
Two Boys, Egon Schiele (Classic Work)

Poetry: West, Raman and Byrne

In A Place by the Fire, Bill West moves from a boy's cold hallway vigil to the warmth of family and hearth. Through light, broth, and bread, the poem captures the quiet passage from yearning to belonging, where memory and home intertwine.

In The Nine-Yard Sari, Anna G. Raman folds us into the vivid world of a South Indian wedding, where tradition is woven into every sight, sound, and scent. Thavil drums thunder, nadaswaram notes spiral upward, and the air is rich with turmeric, jasmine, and rose petals. At the heart of it all, the bride’s red nine-yard sari becomes both garment and symbol--wrapping her in auspicious color, ancestral blessings, and the intimate knot that joins two lives. Raman captures not just a ceremony, but the timeless rhythm of heritage in motion.

In Miki Byrne’s How Facebook Helped a Girl To Get What She Wished For, online cruelty turns party photos into a trigger for self-destruction. A stark, empathetic portrait of how social media’s sharp edges can wound, and the dangerous wish to be seen differently.

ART SEGMENT: Woman catching firefly by a stream by Utagawa Kuniyoshi



Poetry: Needham, MacKay and Shields

In Moving On, Eira Needham reflects on a mother's transformation--illness eased, spirit renewed, and joy rediscovered in a new home. From sleepless worry to shared smiles, the poem captures the quiet miracle of change and the calming tide of love.

ART:
Put His Strange Case Before Old Solomon Caw by Arthur Rackham
In this whimsical woodland court, Rackham renders a boy perched high in the twisting arms of an ancient tree, face-to-beak with the solemn figure of Solomon Caw. Below, two mouse-sized counsellors linger at the gnarled roots, their tiny forms attentive to the drama above. A soft horizon of trees frames the scene, while Rackham’s signature tangle of line and shadow draws the eye to the meeting point between innocence and judgment, between the logic of nature and the mysteries of childhood lore.

In The Silver Birch at The Botanics, Maggie Mackay honours her parents through a memorial tree rooted in renewal. Beneath catkins and bluebells, life gathers; bark sheds like tears, and a woodpecker’'s forage turns grief into a quiet celebration of enduring love.

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In The Owatonna Library, Ronald E. Shields links prairie and page--a black bear’s ripple in grass, a cold lamp’s echo, and the quiet touch between reader and Lakota woman. Past and present meet where footsteps of generations still move beneath our feet.

Writers: O'Brien, Miller and Storrie

Lost in a foreign mountain, a wanderer stumbles upon a hermit at Hermit Falls. Over a single allotted hour, she puzzles over silence, blue eyes, and rituals. Led into a hidden alcove where a glowing fountain trickles, she witnesses the secret prayer--an encounter of quiet wonder and transformation??!

After eight years as Post Nasal Drip’s drummer, he’s unceremoniously replaced by a drum machine and a new frontman. Betrayed by bandmates and girlfriend, he embarks on a gritty Chicago odyssey--falafel shops, Wrigley Field’s first night game, and underground bars--to reclaim his rhythm and honor.

He returns to the empty field where her childhood home once stood, drawn by a weathered memorial stone set to be moved. Haunted by
youthful regrets--unspoken love, vanished walls, lost chances--he stands alone before the dawn of war, carrying memories of ambition and what was left unsaid.



Writers: Sullivan, Corrigan, Majumdar

Ann sifts through her mother’s old recipes, seeking comfort in routine as her life unravels. But when her mother’s diagnosis forces them to confront the unspoken, past tensions dissolve into fragile, final truths. In a sunroom where they once clashed, they find quiet reconciliation--woven with love, regret, and acceptance.

On their fifteenth anniversary, Doug and Tracy celebrate with a hot-air balloon ride, but beneath nostalgic memories lies simmering resentment. An exploration of love faded, fantasies of escape, and the quiet desperation hiding within a seemingly ordinary marriage.

Aroha’s turbulent home erupts in violence and despair--until the night sky's cosmic symphony beckons her. Guided by the Pole Star, she witnesses galaxies coalesce, singing pentatonic harmony. Ancient constellations unveil unity and hope, igniting her courage to heal. Their chorus drowns grief guides.



Essay and Stories: Zelnick, Joslin, Miller, Firzpatrick

Stephen Zelnick explores the life and legacy of César Vallejo, Peru’s groundbreaking modernist poet. From his haunting work in Trilce to his Paris years, this essay delves into Vallejo’s themes of suffering, identity, and poetic revolution in Latin America.

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A meticulous government bookkeeper’s quiet life is upended when two armed convicts storm his usual diner. A darkly poignant tale of routine, bravery, and legacy, Miller's A Well Ordered Life explores the quiet dignity behind one man’s predictable world.

Winifred, a restless young fairy, leaves her woodland home in search of adventure and stumbles into a suburban garden where reality bites back. Joslin's whimsical tale of courage, chaos, and the hard-earned truth that becoming a Story Fairy means living the story first.

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A whimsical prelude to the Queen’s croquet party--mischief, mistaken tulip bulbs, painted roses, and royal uproar. In an enchanted glade, garden boys, cooks, and Alice herself become tangled in a riot of colour and confusion. A playful twist on Wonderland tradition by Marie Lynam Fitzpatrick.

In a kingdom of living playing cards, flamingo mallets, and vanishing cats, Alice navigates a surreal croquet match where rules bend, tempers flare, and “Off with her head!" echoes at every turn. A wildly imaginative chapter from Lewis Carroll’s Alice’s Adventures in Wonderland.

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Alisa Velaj, Poetry

Bethlehem by Alisa Velaj evokes an uncharted pilgrimage: memory transported across continents by a guiding star. This luminous poem traces an inner journey of longing, faith, and revelation, capturing the mystic pull of distant lands and the radiant transformation within. Echoes with hope, wonder!

Illustration by Cathy Giles
A minimalist line drawing rendered in soft red tones depicts a young woman absorbed in reading. Her long, flowing hair cascades over her shoulder in looping strands, while the curve of her posture suggests quiet focus and intimacy. The simplicity of the lines leaves room for the viewer's imagination, evoking the contemplative solitude of a reader lost in a private world.

In this evocative poem by Alisa Velaj, sound and solitude meet at sunset. A guitar, fallen leaves, and the echo of longing explore memory, identity, and the illusion of connection across time’s restless shores.

A haunting poetic vision where Mozart returns at dusk, clutching acacia flowers, in a moment suspended between memory and myth. Alisa Velaj’s verse conjures music, grief, and the spectral link between Mozart and Salieri.

ART:
Half Bitten Apple by Cathy Giles
A vivid red apple, its skin gleaming and freshly bitten, hangs suspended among the stark, black and white branches of a tree. The selective use of colour isolates the fruit in a world drained of hue, heightening its symbolic weight, temptation, vitality, and the fleeting nature of perfection. The contrast between the apple’s vitality and the bare, textured limbs gives the image a quiet intensity.


Poetry: Martin-Wood, Bowman and Ammas

Thanksgiving by Carla Martin-Wood is a rich, lyrical tribute to the waning days of autumn=November's golden hush before winter's arrival. It praises nature’s beauty, both tended and wild, and celebrates the humble labors and fleeting splendors of the harvest season.

ART:
Arthur Rackham, The Knave did so, very carefully, with one foot, 1907

In this scene from Alice’s Adventures in Wonderland, Rackham’s pen-and-ink precision and muted watercolours capture Carroll’s absurdity with sly elegance. The Knave, paintbrush in hand, tiptoes among toppled playing cards and crimson-smeared roses under the watchful eyes of the Queen’s court, a moment of quiet, comical tension suspended in the dreamlike strangeness that Rackham made uniquely his own.

The Album by Nick Bowman is a moving elegy in verse, unfolding the quiet mystery of a woman's past through keepsakes and photographs. As memories resurface from a bottom drawer, a haunting revelation at Belsen deepens the grief--and wonder--of those she left behind.

A heartfelt poem honoring a mother's touch in the kitchen, Ammas’ Rotis captures the warmth of memory, tradition, and childhood joy. Through flour, spice, and love, the poet weaves a sensory ode to maternal care and the quiet artistry behind each perfect roti.

ART:
Arthur Rackham, The Knave did so, very carefully, with one foot, 1907
In this scene from Alice’s Adventures in Wonderland, Rackham’s pen-and-ink precision and muted watercolours capture Carroll’s absurdity with sly elegance. The Knave, paintbrush in hand, tiptoes among toppled playing cards and crimson-smeared roses under the watchful eyes of the Queen’s court — a moment of quiet, comical tension suspended in the dreamlike strangeness that Rackham made uniquely his own.

Poetry: Graham, Hogg and Walsh

In Autobiography, James Graham traces a life shaped by chance--from wartime loss and accidental meetings to the moors of Scotland, love, poetry, and music. A tender reflection on heritage, art, and the blessing of new generations in a place that shaped him.

Art: The Dance by Mari Fitzpatrick

In Dull Day at the Beach, Julie Hogg drifts between Jerez and Cadiz, where dragonflies dance, sparrows sip the Atlantic, and a single wave arches like an eyebrow. A languid, sensual meditation on nuance, stillness, and the quiet poetry of the Costa de la Luz.


ART:
Louis Wain's whimsical scene turns Shakespeare's words into a rooftop feline romance. Under a haze of chimney smoke, a chorus of cats lounges, tussles, and courts across the tiled skyline. At the centre, a debonair black cat balances on a chimney pot, letter in paw, poised to serenade. His snowy-white rival sits smugly nearby, while pairs of cats embrace in the background. Wain's playful composition brims with character, each cat an actor in this moonless, smoky stage of love and rivalry.

PS
"And then, the lover, sighing like a furnace, with a woeful ballad made to his mistressF eye-brow," is straight from Shakespeare’s "All the world’s a stage" speech in As You Like It (Act II, Scene VII).

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In False Detective, Patricia Walsh captures a life under constant watch--letters censored, calls screened, movements monitored. Through sharp, restless lines, the poem explores paranoia, control, and the uneasy dance between suspicion and self-preservation.

Art:
The Rose (2015) by Cathy Giles -- Painted for our Fall Issue, this luminous study pairs a pale yellow rose with a richly brushed cobalt-blue ground. Poised between stillness and bloom, it speaks of quiet resilience, beauty in simplicity, and the vivid grace of a single moment.



Poetry: Moorehouse, Graham, Shields

In Hand Travel, Dave Morehouse follows a lone woman hitchhiking toward Memphis. Buffeted by trucks and memories, she resists danger, endures the road’s grit, and hopes to reach shelter before the dinner soup is gone. A stark portrait of survival on America's highways.

ART Segment: Geese in Flight before a Full Moon by Ohara Koson
A hush falls over the scene as a flock of geese glides across a pale, luminous sky, the full moon suspended like a pearl above them. Koson’s mastery of the shin hanga style is evident in the delicate gradations of ink wash, capturing both the grace of the birds' wingbeats and the stillness of the night air. The composition is spare yet resonant, evoking the fleeting beauty of seasonal migration and the quiet poetry of nature’s rhythms.

In Listening to Maria Callas, James Graham contrasts the harsh noise of daily life with the transcendent beauty of Casta Diva. Her voice silences the world’s clamor, sowing peace in a moment where music eclipses war, machines, and time itself.

ART
The Boat (2015)
This vibrant painting by Cathy Giles captures a lone red boat resting on a sunlit, textured shore. Bold strokes of yellow, green, and blue suggest wild grasses, sand, and distant sea, while the sky above shimmers in layered blues. The scene hums with energy, yet the beached boat feels quietly at rest.

In Breaking Branches, Ronald E. Shields captures the fragile boundary between life and death. A nephew returns to guide Aunt Vicki toward her final rest, where sunlight, shadow, and memory intertwine under a shattered sky of breaking branches

ART:
In this enchanting woodland scene, Arthur Rackham reveals a world split between human and fairy realms. Above ground, children stroll among tall trees in the soft daylight; below, beneath the gnarled roots of an ancient tree, fairies lie in wait, resting, working, and preparing for their twilight emergence. Rackham's delicate ink lines and earthy watercolours give the underground world a hidden vibrancy, reminding viewers that magic often lives just out of sight.

Poetry: Brennan, Will, Meek

In Thunderstorm, Nora Brennan recalls a July afternoon when blackened clouds and celestial clamor drove her family to prayer. Amid the fear of lightning, the moment@s heart is found in a child's head resting against her mother-sheltered in love beneath a charged sky.

ART

Marie Fitzpatrick’s The Fool of a Cloud drifts between dream and storm, where a luminous golden cloud tumbles playfully over a restless blue sea. Soft, human-like contours emerge in the vapour, hinting at folly or whimsy, while darker tones on the horizon suggest the silent approach of change. With sweeping brushwork and a palette that shifts from airy light to brooding shadow, Fitzpatrick captures the mercurial nature of weather, and of the heart

In Surface Tension, Colin Will dives from bellyflops to molecular bonds, exploring how water's skin holds midges aloft yet breaks beneath a diver's fall. A lyrical blend of physics and sensation, where impact, scale, and the dance of molecules meet.


ART
"They All Crowded Round It Panting and Asking, But Who Has Won?" by Arthur Rackham:

In this lively Alice’s Adventures in Wonderland scene, Arthur Rackham captures the post Caucus Race chaos. A cluster of breathless creatures, birds, a mouse, and other fantastical companions, gather around Alice, each craning to ask the same question: Who has won? Rackham's intricate linework and muted watercolours give the moment both humour and a slightly absurd dignity, perfectly evoking Carroll's whimsical nonsense.

In People in Rooms, Gemma Meek captures a moment of quiet survival--tempting fate, watching the bridge at days end, and finding small refuge in Bukowski. A raw, unvarnished glimpse into solitude, longing, and the fragile act of getting through another day.

ART

The Pool of Tears
Alice drifts among a swirling congregation of creatures, a mouse, a dodo, a pelican, a crab, and more, all caught in the strange buoyancy of the Pool of Tears. Rackham renders this surreal moment with both dreamlike grace and a faint sense of unease, his fine ink lines capturing the flutter of feathers and the slick sheen of wet fur. Alice's hair streams out behind her as if suspended in another world entirely, the mingling of species and expressions a perfect reflection of Carroll#s playful yet uncanny vision.

Front Cover

Andrea Castilla (Cover Designer)

Andrea Castilla is from San Juan in Argentina. After receiving her degree in Visual Arts from the University of San Juan, in 1993, she married and moved to Andalusia, in Spain, with her new husband. Here she continued her education at the University of Granada and received a degree in child psychology and education. She worked in the area for a short while before returning to her first love. Andrea opened an art shop and studio, in Motril and now from here,she paints, illustrates, teaches and creates wonderul art and craft.

Prologue




The Sleep-Song of Grainne Over Dermuid--When fleeing from Fionn Mac Cumhaill By Eleanor Hull (Translated)


CONTRIBUTING ARTIST

Cathy Giles, Issue Artist

Cathy works between her studio on the Dingle Peninsula in Castlemaine, Co. Kerry, and Dublin beside the Phoenix Park. She is self taught with over twenty years of practice. She works using a variety of mediums but mostly paints with oils. She is currently working on a series of portraits which document intimate expressions of family life. Cathy teach a variety of workshops, and she is currently undertaking a Masters in Art and Design Education. For more information please visit www.cathygiles.com or email catsgiles@gmail.com

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Ordering Information:
Single Copies available from our website: www.thelinnetswings.org
Quantity sales. Special discounts are available on quantity purchases by corporations, associations, and others. For details, mail the publisher at the address above.

ISBN-13: 978-1519122643 ISBN-10:1519122640

Editors

Managing Editor
Marie Lynam Fitzpatrick

Senior Editor
Bill West

Fiction
Marie Lynam Fitzpatrick
Bill West
Yvette Managan

Poetry
Oonah Joslin

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