In Dull Day at the Beach, Julie Hogg drifts between Jerez and Cadiz, where dragonflies dance, sparrows sip the Atlantic, and a single wave arches like an eyebrow. A languid, sensual meditation on nuance, stillness, and the quiet poetry of the Costa de la Luz.
Between Jerez and Cadiz, operating on a mezzanine level
at the end of an indolent morning, stifling a yawn and
stretching itself out way beyond the last letter of the alphabet,
a Costa de la Luz cloud is kissing the sting out of the sun
like a dock leaf. Two red dragonflies paso-double through a
reconnaissance mission, skimming surfaces of cooling sand
and vacuity left by a lizard split seconds ago, before slipping
from rocks of intertia into deeper pools of poignantly still water.
Sparrows sip up Atlantic Ocean whilst a single wave side-strokes
along the shoreline, resembling a momentarily arched eyebrow,
subtle nuance of swaying palm tree on a printed sarong, pitch
perfect riff off a song, or a lukewarm feather across a jawline.